TIEPOLO, Giovanni Domenico
Italian painter, Venetian school (b. 1727, Venezia, d.
1804, Venezia).
Italian painter and printmaker. He was apprenticed to his father, Giovanni Battista Tiepolo, in Venice in the early 1740s and worked with him in Madrid from 1762 until the elder's death in 1770. His most notable early works are the chinoiserie decorations of the Villa Valmarana in Vicenza (1757). Back in Venice, he executed several frescoes and paintings of scenes from the commedia dell'arte. A talented genre painter and caricaturist, he was famous for his many engravings and etchings after his own and his father's designs.
Related Paintings of TIEPOLO, Giovanni Domenico :. | The Judgment of Solomon | Mercury Appearing to Aeneas | The Meeting of Anthony and Cleopatra | The Virgin Appearing to St Philip Neri 1740 | Aeneas Introducing Cupid Dressed as Ascanius to Dido | Related Artists: Guan Zuolin of Macaopainted Portrait of Captain Joseph Huddart in c. 1785 Willem Romeijncirca 1645-1694 Calvaert, DenysFlemish, 1540-1619
Flemish painter and draughtsman, active in Italy. In 1556-7 he was inscribed in the registers of the painters' corporation in Antwerp as a pupil of the landscape painter Kerstiaen van Queboorn (1515-78). Calvaert went to Bologna c. 1560, where he was to remain for the rest of his life. There he came under the protection of the influential Bolognini family and entered the workshop of Prospero Fontana the elder. After about two years he left Fontana to work with Lorenzo Sabatini, with whom he collaborated on several pictures, including the Holy Family with the Archangel St Michael (Bologna, S Giacomo Maggiore) and an Assumption (Bologna, Pin. N.). Calvaert's oeuvre is composed almost exclusively of religious works, ranging in size from vast altarpieces to small devotional pictures on copper. This sets him apart from other Netherlandish painters, notably those of the school of Prague, for whom Classical mythology was a constant source of inspiration. His first signed and dated work was Vigilance (1568; Bologna, Pin. N.); thereafter he developed a more original style, as in the Noli me tangere (Bologna, Pin. N.).
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